A voice for the voiceless

28 May 2014 / 15:08 H.

AUTHOR Faisal Tehrani bravely tackles the issue of timber company workers raping Penan women in Sarawak in Bagaimana Anyss Naik Ke Langit?, his latest novel.
“I’m always interested in ­giving voice to the voiceless in my work,” says the 40-year-old. “My novels have always dealt with human rights issues.”
He adds that he has ­always been moved by the ­marginalised and their struggles to be ­recognised and be heard.
“I have been researching on this issue for more than five years,” Faisal says. “Logging companies want to chase the ­indigenous Penans from the ­forest as they want to log the trees.
“These companies resort to harsh tactics to achieve this aim, ­which includes the rape of the Penan women. Initially, the
authorities ­denied such rapes took place. But now, they’ve ­acknowledged it.”
In Bagaimana Anyss Naik Ke Langit?, his 23rd novel, a female Malay ­professor exposes the rape of the Penan women and this indirectly puts her life in ­danger.
Faisal finds that there are very few ­Malays like lawyer Siti ­Kassim who dare speak up for the ­indigenous people in the country.
“I find Malays here eager to help the Palestinians who are oppressed by the Israeli ­government,” says Faisal. “They believe that helping ­fellow ­Muslims is noble.
“But the rape of Penan women is happening in our backyard and we should not shut our eyes to this injustice. The Penans may not be ­Muslims but they are still human. ­Everyone deserves our attention.
“Look at the late (human rights activist) Irene ­Fernandez. She helped the Bangladeshi ­foreign workers who are ­Muslims when they were treated unfairly. She put their humanity first before their race or ­religion. We should emulate her spirit of fair play.”
In his novel, Faisal has one of the ­characters asked: “Why do we feel it’s more ­‘heavenly’ to help ­victims in Palestine rather than the ­Penans over here?”
Some have ­complained that the rape incidents in the book were too graphic and ­difficult to digest.
“My intention was not to ­sensationalise rape,” Faisal says. “I want to show how truly disgusting and ­terrifying rape can be.”
Others said that the ‘book was too thin’ and that he had ­written it in a hurry and that the ending was too abrupt as well.
“I do not mind if they do not like my book,” Faisal says. “I am open to criticism. For ­instance, if I am an actor, I ­cannot be ­producing an Oscar-winning ­performance all the time.
“However, they should know that I did not ­finish the book in a hurry. I wanted the story to end abruptly. I wanted it to be just this length, too. I am using a ­different ­writing style to tell the story here.”
Faisal’s next book will ­deal with ­another ­controversial ­subject: the lead ­character is a Malay Muslim lesbian in her 60s.
“It will be the ­female ­version of Brokeback ­Mountain,” he says with a laugh.
As a ­registered human rights defender with Front Line Defenders (FLD), an NGO linked with the United Nations, Faisal says: “Like ­Penans, gays and ­lesbians are also ­marginalised people. They have to face cultural and religious ­challenges to be ­accepted.”
Faisal is also a research fellow at the Institute of ­Malay World and ­Civilisation (Atma) in Universiti Kebangsaan Malaysia (UKM).
Last year, his novel ­Perempuan Nan Bercinta as banned as it is seen to be ­promoting Shia Islam that is not ­practised here.
However, some publishers in ­Indonesia are keen to ­translate this book into Bahasa ­Indonesia. But Faisal has not given his ­consent as yet.
“I do not want people to read the book just because it is ­controversial or because it got banned,” he says. “I want them to treat my book as a work of art.”
Some people have accused him of selecting controversial topics for his books so that he could be in the limelight and win awards.
Laughing off the accusation, Faisal says: “I have won awards before. My only aim in choosing such topics is because I want to ­stimulate the mind of my readers.
“I like writing about ­oppressed people who have been sidelined by the ­mainstream. Like I said earlier, I want to be an author who [is not afraid to] talk about ­human rights.”

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